From the BlogSubscribe Now

Revisiting 1980 – procrastination by research

I am brainstorming a new novel, provisionally called Fairy Street. Part of the novel (I’m not even sure how much yet, it could be ninety percent, or it could be only half…) is set back in 1980 and 1981.

I’m really enjoying some of the research.

So much of it is very easy now – there are so many resources online. A quick search on YouTube reveals something about the music of the time, and in a flash, I can listen to The Pretenders singing Brass in Pocket.  There are even episodes of Top of the Pops from those years, if I’m prepared to risk a whole lot of Abba, and worse. A few hours of distraction and I can create a playlist as a soundtrack for my novel.

Thinking back I remember moving into married University accommodation with Ryan the summer we married. We bought new speakers, but what records did we listen to?  The only one I remember buying that year was Pink Floyd, The Wall.  All our old records are long gone now, lost in a house move fifteen years back.  I remember listening to a lot of Genesis too – my brother recorded them for me on cassette, but being tight-fisted and annoying muddled up the albums and completely missed certain tracks. I am still confused to this day as to whether I am listening to Wind and Wuthering or And Then There Were Three.

What was on television?

We didn’t have a TV, but we did make a point of using the communal TV room once a week. Blake’s Seven. Then there was Juliet Bravo, The Gentle Touch, Shoestring, the start of Yes Minister.  Wikipedia reveals I spent more time watching television than I remembered!

And the books of the moment were The Chronicles of Thomas Covenant. I’m sure I remember rushing to the bookshop as soon as the latest novel came out…

But some memories are more elusive than others.

So this morning as I was writing, I was trying to remember, did we have black plastic binbags in 1980?  My character is moving house, and I imagined her throwing her towels and clothes into black sack – but would she have done so?

I can remember a time before they were in regular use, but I’m not exactly certain… I remember having our dustbin stolen when we lived in Liverpool 5, but not what we did about it…. I think it must have been black bin bags. Online again, and I soon turned up a history of garbage bags… which were invented by a Canadian in 1950, but not sold for home use until the late 1960s.

I just don’t remember buying them. I remember buying lots of other everyday things…washing up sponges and a mop and bucket and a rug from Habitat in Liverpool. I remember buying wallpaper with enormous poppies on (it was cheap for obvious reasons) and white gloss paint. I remember buying food from Liverpool market – cracked eggs, a dozen in a tub, chicken backs to make stew…

Walking down a very steep hill to make a phone call in the telephone box, in the deep snow. I remember out first rescue dog, Chaos, and the amount of chaos she caused. From the day I was told off in the street by an old lady for not feeding her properly…to the day she had unexpected puppies. The time she swiped the tuna from Ryan’s mother’s plate, and the time she chewed straight through a friend’s handbag and ate her lipstick.

And how much has changed in the last thirty years… and what mistakes might slip through. So now I’m browsing Ebay and am irresistibly drawn to buy old copies of Cosmo and The Sunday Times magazine, just to trigger a few more memories, and fill in some more of the gaps.

What music and memories would evoke those years for you?

 

Ann

 

Why story matters #writing #blogging

I suppose the first question is, does story matter? Obviously, I think it does, but there’s also plenty of evidence that it matters to a lot of other people too. Story is not just novels, after all. It’s the basis for much poetry, for plays and TV drama and films. But it’s also fundamental to how we understand ourselves and our world – and so story is central in mythologies and religious texts, in memories and memoirs.

Not so long ago, I read an article that claimed reading fiction (specifically Jane Austen, but that’s a separate issue!) makes us better people. It’s all about empathy after all. It’s about being able to step into someone else’s shoes, and see the world a different way. Reading a novel or getting lost in a film – it’s our brief chance to see the world as someone else sees it. What would it be like to be Oliver Twist, or Anna Karenina? Hannibal Lecter, or Inspector Morse?

I’m not sure it makes us better people though. After all, readers and writers aren’t generally any better behaved than other people. There was a case recently of a Scandinavian crime writer whose novel revealed a little too much about the very real murder he had committed.

Then there’s Yann Martel, writer of Life of Pi, who sent the prime minister of Canada a reading list – nice idea, but perhaps it’s a bit too late, by the time they are in power. He was prompted to do so by the general lack of care that Canada shows in supporting art and artists of all kinds. The same is also true in politics in the UK. The funding of scientific research is always under threat too, but there are many people who stand up for that, who make the argument that even in times of politically motivated austerity, investing in science is still important. But few stand up for the humanities – education is above all these days supposed to be useful, practical.

So although it’s impossible to make a case for readers and writers being better people, it is perhaps possible to say that the opposite has some truth in it. People who claim never to enjoy fiction of any kind, the Gradgrinds of this world who are only interested in the facts, often seem to miss that some of the more important truths can’t be pinned down so easily.

Perhaps storytelling is uniquely human. I don’t doubt that other animals feel emotion as we do. Many of them seem to exhibit signs of consciousness, that they have some self awareness. It used to be said that no other animal used tools. We now know that’s not true.

Do they tell themselves and each other stories? The dance of the bumblebee, the songs of the whales – I suppose it is possible that there are some great unknown storytellers there who we could never understand, because our experience is so alien.

Stories that work make connections. They take some apparently insignificant individual experience, and yet say something fundamentally true about all our lives. We all can only grasp that portion of reality that we have perceived ourselves, and yet through story we can glimpse something immeasurably larger.

So we try. Making connections with other people – that’s what matters most in life. And story is one of the best ways to do that.  I tell my story, I hear your stories. Story creates shared meaning.

That’s why story matters.

Do you agree – or are you one of those strange people who only reads non fiction?

Ann

Caution – may contain spoilers!

Whenever a new Doctor Who episode is broadcast, a stream of carefully judged comments flow past on my Facebook feed, all posted by the usual suspects… Most make no sense out of context, and they act better than the official trailers…as a kind of appetiser that prompt me to set aside whatever I am doing and watch the programme.

But from other friends I see the odd post pleading, “No spoilers, I haven’t watched it yet!”

New research, discussed over at Wired, in Spoilers Don’t Spoil Anything, seems to show that there is a split – and that some people find stories are spoiled by advance knowledge, and others find they aren’t.

On reflection, I think there are two kinds of reading (or viewing) experience being discussed here. And there are times when I enjoy both of them, for different reasons. It’s not a simple distinction, either. My initial idea was that knowing what was coming is perhaps an easier read, more reassuring, a kind of escapist reading. And that not knowing is more challenging, and asks more of us.

So for instance, mass market genre novels don’t upset our expectations. We could read a straight forward romance or a simple whodunit. We know exactly how it’s going to turn out, the girl will get her guy, the detective will catch the crook. We are free to enjoy the ride, and take pleasure in the specific individual details that make it a unique story.

Some people like to read complicated whodunits, and pride themselves on being able to navigate their way between red herrings and genuine clues, and guess the villain before they are unmasked in the story.

The crime fiction I prefer though, is often a whydunit, rather than who. So I am interested more in the stories that unravel character and human motivation. Even so I do like to have twists and turns that surprise me and I don’t read the ending first.

There are some stories though, where to know the ending would in some ways spoil the whole experience. Agatha Christie’s The Murder of Roger Ackroyd is a case in point. When it was written, it was considered quite shocking because it broke all the rules. I read it as a youngster, and was properly surprised and shocked by the ending. Re-reading it with knowledge now, is enjoyable in a completely different way, as I can enjoy the skill with which the writer misled me the first time through. The same is true of the Bruce Willis film, The Sixth Sense. If you were fooled the first time through, watching it a second time is also a pleasure – but in a different way.

I suggest that stories which are described as subverting the genre work in a similar kind of way. They set you up for one kind of reading experience, and you think you know where the story is going….and then they pull the rug from under you.  One of my favourite examples is Georgette Heyer’s Regency romance novel, Cotillion. I would say more, but I wouldn’t want to spoil it for anyone.

In crime fiction, some people love stories with prologues, and some hate them – and I think it’s possible that it is because of this kind of preference in way of reading. A prologue often signals something of where the novel is going – it is the author’s way of getting you to read the end, or more often a portion of the middle of the story first.  Sometimes a prologue is straightforward – telling you whodunit and therefore signalling that the main interest of the story is in other issues. Sometimes the prologue is misleading, and is a structural red herring. Often it can be both.

I enjoy both ways of reading. I often re-read books that I’ve loved, and find that they provide a different experience the second time. But on the whole I do prefer to trust the writer, and I never check the end of the book before reading it. And I do like to avoid spoilers. Even when watching Doctor Who I switch off before the trailer for next week’s episode starts.

Which kind of reading, or viewing do you prefer? Do you welcome spoilers – or hate them?

Ann

Alter Egos and Anonymity

anonymous when writing

Who are you?

I’ve been thinking a little about this as it may well form part of the plot in my next novel attempt… and I would appreciate any thoughts you might all have about it.

Obviously there are some valid reasons for wishing to be anonymous. Some people may have fears about the impact of what they post on their professional lives, others may have personal issues they want to share. Some of my writing friends use pen-names, too.

But there are also some very dodgy reasons. Con artists and stalkers, and people who just have too much fun letting rip and arguing in a way they would never risk in person, for example.

And then there’s astroturfing -  as defined by Wikipedia – a “form of advocacy designed to give the appearance of a grassroots movement.”  I first became aware of this in the context of climate change denial, but the list of firms thought to be involved in this kind of campaign is astonishingly diverse. Unsurprisingly they tend to be from industries that don’t have the best reputation, such as Philip Morris the tobacco company, and Union Carbide. Firms who seem more concerned with cleaning up their reputations, than with cleaning up their act. Of course it also happens in a lot of political campaigns too – wherever there are vested interests.

I know there’s been some talk about Google+ insisting on proper names. All the same I have a couple in my circles who are clearly not real  people. BBC NEWs, for instance – although with that child called Facebook who knows, these days ;-)

Then there is the phenonomenon known as sock puppetry, which appears to take place in discussions on blogs when things get out of hand. This is when someone uses a fake identity to bolster his own argument, for example. I say his, but of course the perpetartor could also be a woman – it’s just that the examples I know of have been quite well known men.

So, for example, there was the author who wrote terrible reviews of a rival’s books on Amazon, and then when it was discovered blamed his wife. And there have been various instances of people using fake identities to bolster their own wikipedia pages, and to sabotage the pages of their perceived rivals.

Scott Adams, for example, who created the wonderful Dilbert cartoons, wrote a controversial blog that attracted some vocal opposition from the online feminist community. I read his blog, and I thought it was interesting. Some of it annoyed me as a feminist, but some of it I assumed he was being controversial in order to make a point. Now if you’re writing controversial blogs you must kind of expect some kind of disagreement, no? Apparently not. Adams came under attack from all sides, and instead of just weathering the storm, he created a fake identity to support himself. And then he got found out…

I must admit I find these stories fascinating. What could prompt a person who is clearly intelligent and capable of argument, to fall from grace in such a humiliating way? Is it an inability to tolerate disagreement? A simple desire to be heard – I do know that sometimes when one is in the middle of long and heated debate online, it becomes obvious that a person is simply not reading what you are saying at all, that they have already made their minds up. Maybe it’s just a desire to have the chance to be heard by fresh ears? In any case, all too often it seems to backfire.

So, I am fascinated though, by individuals who have chosen to be online either anonymously, or as a pseudonym.  Why did you choose that option, and what benefits has it brought? Has it ever been a problem for you?

And do you think that it would be preferable if the people in an online community were to use their real identities? Would that make people behave more courteously online? Or is it possible to have a safe online community with anonymity?

Stories of your own experiences would be very welcome – whether of using an alter ego, or discovering that you’ve been interacting with one. Please feel free to post under a pseudonym.

Ann

 

 

 

Let me adjust your perception of reality…

Actually, I guess, in the long term reality will do the job for me.  Objective reality has a way of catching up with people who think it’s all just a matter of positive thinking.

A couple of days ago I clicked on a link to this website…

The Magic Button – Make Everything Okay.

Click on the button and it uses the old clichéd  Progress Bar, and one sits watching as it claims “Making Everything Okay is in progress”

After a short wait it produces the trite message “Everything is OK now. If everything is still not OK, try changing your settings of perception of objective reality.”

Anyone who could be helped by that little piece of advice really isn’t in need of a magic button, are they?

I know plenty of people who do need a magic button. People who are ill, and perhaps in pain, people who have lost their jobs. There are lots of people for whom everyday reality is overwhelmingly difficult.

Then there are the vast numbers of people I don’t know who need a magic button. Off the top of my head, let’s see – women in Saudi Arabia, or Iran, children in Gaza and the West Bank who have grown up knowing only poverty and violence, people in war zones whose lives are in danger every day. I don’t need to go into detail here.  I think we all know that objective reality hasn’t been kind to many millions of people. And we all know it’s not their attitude that’s the problem.

I might make an exception for Rebekah Brooks, the Murdochs and everyone caught up in our current media, police and politician sponsored sideshow. Granted, they could certainly improve matters by changing their attitude.

So yes, this little cheap trick of a website made me angry. Not because it’s as pernicious as The Secret – you know that one everyone knows about because millions of people handed over their money to be told that like attracts like. It’s not likely to suck someone in and make them feel like a failure when concentrating on good and happy thoughts doesn’t make them well, park a  Ferrari in their drive or get George Clooney to pop the question.

If you’d like a really good critique of the cult of positive thinking, then I suggest you watch this RSA video from Barbara Ehrenreich.

My critique of this particular exhibition of stupidity is much simpler. At best it is childish wishful thinking. And in this incarnation, it is just cheap, silly and not very creative.

And that makes the little Donate button in the bottom corner of the screen a bit irritating. My gift for those hungry programmers is a small piece of advice. Use your skill to do something useful, please and not to piss people off with trite and meaningless platitudes.

If you want my money, which I’ve worked for, then provide something that is of value – not just a boring techie begging bowl – a waste of pixels.

If we want a magic button, if we really want to do something to make everything better – well, there is something we can do. Doesn’t have to be an enormous thing.  We could just get some shopping for the old lady across the road. We could make a small donation to a charity – perhaps to our fund to educate our girls in Uganda, but any charity that matters to us will do the trick. Or  just reach out to someone who’s having a hard time. Talk on the phone, send a letter. Sometimes the only thing that can make a difference is knowing there’s someone who cares – I know it works for me.

We can change reality, not just the perception of it.

To paraphrase Philip Dick, reality doesn’t go away when we stop believing in it. So please don’t insult us all by saying we just need to change our perception.

Ann

Because he’s worth it?

Hugh Laurie

Because he's worth it?

I have to confess when I read in the Independent that Hugh Laurie is the new face of L’Oréal, I cried real tears of laughter.

Those of us who are old enough to remember him as part of the comedy double act with Stephen Fry, or even better, playing the foppish Prince Regent in Blackadder found it amusing enough when he became transformed into the sexy, charismatic, pill popping Doctor House.

On reflection, perhaps it was as Prince Regent he learned to love wearing makeup….

Laurie’s reaction  is intriguing.

“At first I thought it was a mistake but then I realised that L’Oreal wasn’t looking for models, but real people with strong personalities, who are worth it … and who aren’t afraid to proclaim that using cosmetics can be a very masculine decision after all.”

Real people, or does he perhaps mean, real men?

To use cosmetics or not is a matter of free choice for most men. I don’t have a problem with that at all – although I don’t go as far as some of my friends who tell me that men these days should be making the best of themselves, that it’s their duty to make an effort to improve on the natural assets Mother Nature gave them – “a bit of enhancement is only polite.”

“Making the best of yourself” is a standard that has always been imposed on women.

To take a recent example, a young woman working at HMV in Harrods was recently pushed out of her job, because she didn’t conform to the dress code. She was clean and neat and tidy. She did her job well.

Here’s an excerpt from the Harrods dress code -

“Full makeup at all time: base, blusher, full eyes (not too heavy), lipstick, lip liner and gloss are worn at all time and maintained discreetly.”

Of course this dress code is just for women – and not only for those selling cosmetics. Liz Jones in the Daily Mail wrote “Women who feel no compunction to improve what nature bestowed upon them are, in my experience, arrogant, lazy or deluded, and frequently all three, ” and went on to equate simply not wearing makeup with sloppiness, irresponsibility and even dishonesty. All this in response to a young woman who is bright and conscientious, who did her job well and looks like, well, just like an ordinary human person.

That’s not the worst example though. A friend of mine who was hospitalised for depression was told at a review meeting that she would not be considered well as she wasn’t wearing lipstick. In order to earn her way off the ward and eventually to be discharged from hospital, she had to earn points of good behaviour. And for female patients, an essential part of that was lipstick. Regardless of whether or not she would choose to wear it in her everyday life.

So, if a woman doesn’t wear makeup, she’s arrogant, lazy, deluded, and depressed.

Men without makeup – they don’t get judged so harshly. They’d have to actually smell and be wearing last year’s unwashed socks for it even to be noticed.

Cosmetics advertising is a bit like the soft porn industry. The women have to be beautiful and aspirational; the men have to be kind of ordinary. Okay, Hugh Laurie is not ordinary exactly – he is talented and he’s adored by many women. But transplant those wrinkles and silvery unkempt hair onto a woman and you’ve got something more like Margaret Rutherford than say, Cybill Shepherd in her L’Oréal days.  At any rate, I cannot imagine that any woman who presents herself as disheveled and grumpy as Laurie does in House gets to be the face of a cosmetics brand,

And yet, I still find it hard to imagine my male friends reacting to this campaign by rushing down the shops to buy anti wrinkle cream…

What do you think?

Ann

Image (C) Wikipedia

Are you in a bubble?

For me, one of the joys of being online is the sheer richness and diversity we have access to  –  we are exposed to a wide range of people and opinions.

I recall when an enthusiastic young lady came to sell us cable television, many years ago, and she was so keen to tell us we would be able to watch the news on CNN. “It’s more objective than the BBC; it tells you what’s really going on in the world,” she said. How we laughed. But it’s true that having a variety of news sources tells us more about the world, not least that is possible to interpret the news differently.

Now, I can read from different news sources online. Sometimes, especially in a science story, I read about it on a blog first (often at Science Blogs) and then see the story in the Guardian or the Telegraph online, already primed to see how the information might be distorted, Chinese whispers style. And then it may come up on Facebook, a story shared in a friend’s feed, perhaps leading to a discussion – more or less heated.

So are we all better informed about the world? We have the resources.

Sometimes I doubt it.

Sometimes I think we live in a smaller bubble than ever.

How much of all the torrent of information we are exposed to, do we really consider?  Perhaps we place ourselves in a kind of information ghetto of our own making. Maybe all the new friends we have online are people who share the same beliefs as us, whether political or religious – maybe we are all even more “birds of a feather” than when our friendships were dictated by where we live, where we went to school, where we work.

Or maybe when our friends disagree they are too timid to say so in a heated online debate…or think it’s impolite to disagree with you in your own space.  I enjoy debate and hearing different opinions, but I’ve certainly had the experience of being quietly unfriended because of religious and political differences of opinion.

That’s a matter of personal choice, though.

There is, I think, a more sinister kind of bubble that is actually being imposed on us without our knowledge.

It’s being presented as something that is of benefit to us. It’s described as “personalisation” – something to make our lives easier. But of course it is no such thing; it’s born out of a desire to find out all about us in order to be able to sell us things more effectively. When Amazon tells us, you’ve bought this book so perhaps you might be interested in this one – it doesn’t seem so dangerous. But when you find out that Google is presenting you different search results to other people based on 57 different items of information – from where you logged in, to what your previous searches have been – it starts to seem much more worrying.

I’m not talking about the potential for abuse of this personal data – that’s another problem altogether. I’m worried more about how distorted our vision of reality might become.

Until I read this article, How the net traps us all in our own little bubbles, I didn’t even know that Google could give different people different search results.

The article says 36 percent of Americans get their news primarily through social networking sites. Many people decide which blog posts to read or YouTube videos to watch based entirely on what their friends share.

I think it’s good for us to be exposed to differing opinions.

I don’t want to think that if I search for news stories about stem cell research, that I will only see stories that are in favour it – as I am. I don’t want to find my views on the current political debates confirmed – I want to see the other side too.

I’m not sure how much we can influence these kinds of changes to our worlds, but awareness is a start. Although I do remember being very amused when I read about this subversion of a loyalty card scheme…or simpler oners where shoppers merely swap the cards.

At the moment Facebook doesn’t seem to be very good at assessing what I might be interested in from the things I choose to share. It keeps on offering me things that are pink, and trying to interest me in a  site where some undoubtedly charming divorced men are looking for a second chance at love. Frankly, I wish they’d stick with the Bingo and the wrinkle treatments….

Mostly, I just want to be aware when I’m entering a bubble. I know some of my friends choose not to read the Daily Mail articles, or the Telegraph, because they are making a conscious decision – they have chosen their filter. And life is short – that kind of personal choice is fine, necessary even.

But, I don’t want what I looked at last to determine a narrower range of options for what I look at next.

And I do want to see the wider picture.

How about you?

Ann

 

 

Choosing to Die

Of all the people who watched the Terry Pratchett documentary on Monday on assisted dying, I wonder if anyone actually changed their minds?

LONDON, ENGLAND - FEBRUARY 25:  Author and eut...

Image by Getty Images via @daylife

It’s a very emotional issue for everyone, and I suspect we all have very strong beliefs about it, and those beliefs are based on our own personal experiences and perhaps on our own fears.

My mother in law, who had MS for over forty years, died two years ago. For the last eight years of her life, she was bedbound at her home, with a succession of carers. She lived in constant fear of being forced to go into hospital or a home. At different times in her illness she had extensive stays in both, and found the loss of freedom and privacy impossible to bear.

Over the last two years of her life, she was ready to die. She was in constant pain, and she had difficulty breathing. She asked for more pain relief and her doctor explained she couldn’t prescribe anything more, because it would make her breathing problems worse and could hasten her end. My mother in law clearly explained that was exactly what she wanted, but the doctor turned away.

For the last six months of her life, she talked about nothing but wanting to die. She would talk about going to Switzerland, but there was no way she could have made the journey. She could not have lifted the cup to her lips and she could not have swallowed the drug in one go.

After she died, partly from dehydration because she refused to drink, we found a stash of pills she had kept back, that she had never used. Just like the young man with MS in the film, she had attempted suicide in the past, but had failed. She had not been able to keep the pills down, and had been taken to hospital for a week, and, she said, lectured by the hospital psychiatrist as if she was a naughty girl, and put on antidepressants.

For myself, I am very much in agreement with Terry Pratchett. “I’d like to live life as long as I can squeeze the juice out of it,” he said. Also, like him, I would like the option to be helped to die in reasonable comfort, at a time of my own choosing, should life become insupportable.

I can understand some of the fears of those who oppose any change in the law.

Some people do view the lives of those who are disabled or sick as having less value. Decisions are made now, all the time, about the value of a life, and about the cost of care and treatment. We should all care about the vulnerable, and that the disabled and the sick have support so that they can squeeze the juice out of their lives. I think we can all agree that there should be good access to palliative care for the dying.

So, no one is arguing that those issues are not important, and there should be clear safeguards in place.  Sadly the Newsnight debate never got around to discussing those in place in Switzerland, although they were referred to a couple of times. Many people have reservations about changing the law to allow assisted dying, based on age, or whether a person has an incurable or a terminal illness. And clearly no one should be pressured into making that decision for anyone else’s convenience.

For people with progressive illnesses, the current law reduces their freedom to squeeze the last drop of juice. Both Andrew and Peter had made that decision perhaps sooner than they would have, if they had not had to travel to Switzerland. And for those who cannot afford the trip to Switzerland, or who are beyond the journey or the ability to themselves lift a glass to their lips – that choice is currently nonexistent.

Still, there are huge areas of misunderstanding that will stay with me from watching the debate.

The Bishop of Exeter was clearly determined to find fault with the film, and in my view misinterpreted Peter’s practical question about whether it was time to take the drug, as hesitation. It was explained earlier in the programme that the process requires two drugs, with a gap in between, so that the second drug was not rejected. He also expressed worries about his daughter, who has Downs Syndrome, and is used to other people making decisions for her, but Dr Preisig pointed out that she would be protected by the Swiss legal safeguards.

The disability rights campaigner, Liz Carr, said that the young man with MS “didn’t look so ill to her.”  MS is a neurological condition and you can’t see from the outside how much someone is suffering. A similar comment was made in the Guardian – that Andrew seemed “disturbingly okay” – in spite of the fact that Andrew described how painful his life was. Oddly it is considered reasonable to assume on someone else’s behalf that their life is worth living.

For me, it is relatively simple. It is a matter of individual autonomy.

So my opinion didn’t change.  I would like to have the reassurance of knowing that option was there for me, although I don’t know if I would ever choose to take it.  I live with a chronic illness myself, and I have my own fears – both of my life not being deemed important enough to warrant expensive treatment, and of dying in pain.

The film was very upsetting, and I cried for them all. Not only the two men who chose their own time to die, but for the people who loved them, and who were with them at the end. I was deeply saddened because a change in the law could have given them more time together.

Peter Smedley said his wife would have preferred to look after him, but she loved him enough to respect his own wishes and to be there with him, stroking his hand as he went into that final sleep. Andrew’s mother was clear, too, that although it was not something she believed herself, she absolutely believed in her son’s right to self determination.

Who has the right to pass judgement on any of these people?

And who has the right to make that decision on anyone else’s behalf?

Did anyone change their mind?

Enhanced by Zemanta

Interview with Carmilla Voiez, author of Starblood.

Starblood

Starblood, available from Amazon

It was fun interviewing Carmilla, and suddenly realising that in all the months we have been reading each other’s work and generally chatting and setting the world to rights, there were things I didn’t know about her writing.

 

1. How long have you wanted to be a writer?

I’ve wanted to be a writer for as long as I can remember. As a child I would experiment with writing stories and illustrating them. I was very grateful to authors for creating worlds I could become a part of, for a few hours at least, and I guess I wanted to give some of that back.

2. Did your story start with the theme, the plot, or the characters?

(I know people usually ask where you get your ideas from, but I know from John Cleese that there’s a little shop on the Isle of Wight)

Starblood started with one scene, which became chapter two, but it’s very much a character driven novel. I wanted to find out how these fascinating characters would react under extreme stress.

3. What would say is the theme of your novel?

Sex and sexuality. I think the question it really asks of the reader is why are we so easily manipulated by our sexual desires.

4. Starblood is what I would describe as a magical dark fantasy. Have you written in other genres?

I have written short stories which I would class as genre-free fiction. It’s debateable what genre Starblood falls under, my publisher says horror, and other readers vary between horror, dark fantasy and Gothic romance while Amazon have listed it as erotica. I am working on other novels at the moment, one is the sequel to Starblood and the other I would class as Magic Realism.

5. What are you working on now?

I am editing the finished first draft of the sequel to Starblood.

6. Do you have any advice for aspiring writers?

Keep writing and never be discouraged from pursuing your dream. I feel very strongly that writing is important whether or not it is ever published. It helps us organise our thoughts and analayse our own beliefs. As far as the process of writing is concerned I would say don’t look back. Get the first draft down before you start allowing yourself to question your ability and worth. You can battle with your inner editor later.

7. Have you been interviewed as an author before?

Yes. The transcript of the previous interview can be found at www.carmillavoiez.com.

Thanks to Camilla for the interview, and for being such a great critique partner. It’s been a joy following in her footsteps – and now I really ought to start on the first draft of my own second novel.

Starblood is currently available as Kindle and it will soon be available as an Apple iBook. The paperback will follow in late summer. Just to read Carmilla’s book I downloaded the free reader from the Amazon site, that allows you to read Kindle books on the PC.

Ann

Review of Starblood by Carmilla Voiez – one of my critique partners :-)

Starblood

Starblood, available from Amazon

I am absolutely thrilled to be able to declare straight away that I have a personal interest in this novel. Starblood is the very first published novel that I have seen at the early, middle and finished state of development. So I really know how much work Carmilla (my friend’s pen-name) has put into making this the strongest story it could possibly be, and it has paid off.

 

It’s the first Goth novel I have ever read, so I can’t say anything about how it compares to others. But I have read dark fantasy and horror, and this is a really wonderful dark fantasy.

I’m going to be very careful not to give away any spoilers – I’m only sharing details from the jacket blurb.

It is a story in which the characters grab on to you and don’t let go. Star, the young heroine, was the one I loved the most. The demon Lilith exerts a powerful and inhuman hold on the other characters and the reader. And the young magician Satori, who loves Star but whose hubris releases the demon Lilith into the world, has his own fascination as something of an antihero.

But these are characters with depth and humanity, and in the time honoured way of dark fantasy it is the ordinary everyday details, like Star’s mundane dayjob, and Satori’s relationship with his mother, that make the magical world come alive. And come alive it does…in terrifying and sometimes gory detail. It’s all the more shocking because Carmilla doesn’t gloss over the human reactions to the horror that unfolds.

I really enjoyed this debut, and I am really looking forward to finding out what Carmilla has in store for us next.

Starblood is currently available as Kindle and it will soon be available as an Apple iBook. The paperback will follow in late summer. Just to read Carmilla’s book I downloaded the free reader from Amazon, that allows you to read Kindle books on the PC. I’m sure more Kindle books will follow.

Ann